ALL THE TIME IN THE WORLD
A Serial Memoir
The enticing smell of roasting turkey filled the house. I set the table with silver, china, crystal water glasses, and the delicate Riedel wine glasses. Dan had everything under control in the kitchen but now and then he’d ask for my help; usually just to hold a bowl or scrape a pot. Buckaroo sat at his spot on the edge of the counter by the turret, watching us.
When the guests began to arrive for the Thanksgiving Day celebration, we were ready. It was a small dinner party that included Dan’s ranch manager George and his girlfriend Jan, and neighbors Ron and Janelle.
George was a lanky cowboy with short salt-and-red-pepper hair and a beard. He was pleasant to me, but I could tell he was watching for telltale signs of defect. Ron and Janelle were easy-going Texans who had a summer home just below the ranch gate.
We mingled for a bit in the kitchen until Dan shooed everyone into the great room, asking me to stay behind to help with final preparations. When all was ready, everyone moved to the dining room. Dan asked me to start the music. There were speakers throughout the first floor, and Dan always had classical music playing on the stereo during dinner.
Once everyone was seated, Dan and I brought in the wonderful traditional Thanksgiving meal he’d prepared. The turkey was perfect: moist inside with crispy brown skin, and there was dressing, mashed potatoes with homemade gravy, green beans, roasted acorn squash and cranberry sauce. It was all delicious, and the talk and laughter rose up into the dome over the table and drifted back down again mixed with Mozart.
I’m sure Dan and I were positively glowing that night, we touched hands a lot and smiled into each other’s eyes. It was a lovely party, but we were glad when everyone left and we were alone again. As we cleaned up, Buckaroo hung out with us and got the occasional bit of turkey.
When the long weekend was over, I went back to Santa Fe, knowing Dan would follow shortly. From that weekend on, we maintained a Santa Fe/Pagosa Springs routine. I had changed the cafe’s performance schedule so that I played on weeknights and had my weekends free. The other musicians were more than happy to switch; they now had the prime weekend nights. On Fridays I’d drive up to the ranch right after work, then back to Santa Fe on Sunday evening. Dan would come down to Santa Fe on Tuesday afternoon and we’d have the weekday nights until Friday, when we’d start all over again.
Each Friday night I would wander in the front door, exhausted, to be met with a kiss, a cat, a glass of champagne, and the wonderful smell of the meal Dan was preparing. When we met I weighed 117 pounds; in three months I gained 12 pounds.
Dan had three cats: two Maine Coon Cats, Buckaroo and Sassparilly, and one black short-haired rascal named Mojo Boogie. Rilly was a neurotic silver cat who lived in constant fear of everything. Mojo was your typical young male cat, full of himself and into absolutely everything. Buckaroo had the soul of a lion; majestic and serene. Dan called him Buckaroo, Boone, Cooncat, and Little Buddy; he interchanged the nicknames regularly. I took to using all the nicknames as well, but I never used Little Buddy: that was just between Boone and Dan, compadres for more than nine years.
In 1987 Anastasia got Dan a pedigreed male Coon Cat for his birthday. His certificate of pedigree listed him as a Brown Classic Maine Coon, born on August 20, 1986. His sire was OldeFarm’s Oliver Twist and his dam was Meunerie Sarah Orne Jewett. Both parents had the famous Heidi Ho line in their genealogy, but Dan had no interest in bestowing posh titles; he named the kitten Remington Buckaroo Boone.
One night I was in bed, looking at Buckaroo as he sat by his water bowl near the turret. I loved to watch him drink - he didn’t lap up water with his tongue, he dipped his right paw in the bowl and licked the water off of the paw. I heard Mojo come bounding up the stairs, and through the open door. When he saw Boone, he froze. He got all dangerous looking and started creeping forward ever so slowly, until he was around six inches away from the Cooncat. Mojo’s hackles rose and I was waiting for him to pounce when Buckaroo reached out with a quick right hook, BAM! No claws; just a paw punch that came out of nowhere. Mojo shook his head, wakawakawaka, and wandered away looking dazed. Boone watched him go, then resumed drinking. The soul of a lion, that cat.
Buckaroo was particularly fond of Burt Bacharach songs. To prove this to me, one afternoon we were sitting on the couch in the TV room and Dan put Sergio Mendez and Brasil ’66 - Greatest Hits on the turntable. He came back to the couch and began singing along with “The Look of Love.” Buckaroo hopped up on the coffee table and watched him. “You sing too,” Dan said, so I did. Buckaroo turned his head and stared at me. Then he took a step forward and put his front paws on my knees. After a pause he stepped off the coffee table and on to my lap, all the while peering intently at me with his big golden eyes. I leaned back in the cushions, a little nervous, but I kept singing. He put his huge paws on my sternum until we were almost nose to nose.
I glanced sideways at Dan for reassurance. His eyebrows were raised and he was trying not to laugh. “Keep singing,” he whispered, “he won’t hurt you,” but he didn’t sound very sure. Buckaroo gave a raspy “Waaaaa,” which, I think, is the Coon Cat equivalent of a roar. Then he laid down, half on the couch and half on my lap, (he was a big cat) and allowed me to pet him. “He likes you,” Dan said.
There was a book about Coon Cats in the upstairs library that said they “like to lend a hand,” and that was definitely the case with Buckaroo. He was like a little ranch dog, trotting along on walks and keeping an eye out for any danger. Dan had done some illustrations for a children’s book about Buckaroo, and he wrote an instrumental piece called "Buckaroo's Midnight Ramble." He even made up a short song, kind of a theme song, “The Ballad of Buckaroo Boone,” that he would sing to him at bedtime. Buckaroo loved it - he would sit between us and knead the comforter ("making biscuits," Dan called it) and purr.
“I’ll tell you the story of Buckaroo Boone
The greatest Coon Cat in the land
He rides through the desert with ol’ Marshall Dan
Lendin’ a hand when he can.”
Dan's illustrations of Rilly, Buckaroo and Mojo
Sometimes Dan would be in his music studio, working and re-working part of a song, obsessing over tiny changes and overdubbing into the wee hours. At some point, Buckaroo would hop up on the mixing board, walk delicately between the sliders, then sit in front of Dan. Back away from the board, Marshall Dan. When that happened, Dan knew the part was as good as it was going to get. He trusted Boone’s instincts, and gave him producer credits on a couple of his albums. The management office in L.A. actually received phone calls now and then from people asking how they could get in touch with the producer, Remington Buckaroo Boone.
I was leaning on the island counter one afternoon, talking to Dan while he stirred something in a pot on the stove. Buckaroo sauntered past us and into the small herb/potting room just off the kitchen, where the litter box was. After about thirty seconds, he came tearing around the corner at top speed, claws scritch-scritching for purchase on the Mexican tile floor, ears back, tail all fluffed up. He ran like the hounds of Hades were after him and he didn’t stop until he reached Dan’s music room clear on the other side of the house.
As he was hightailing it past us, Dan had set the spoon down and called out, “Head for the hills, Marshall Dan!” in his high, gravelly old-cowboy voice. He walked over and shut the herb room door, but not before the putrid odor of runny poop reached me.
This comedy routine of theirs never got old for me. A pee or a little poop, and Buckaroo would fastidiously shake his paws free of litter then calmly go about his ranch business. But the occasional runny stinky mess, and it was scritch-scritch-scritch and “Head for the hills, Marshall Dan!”
Posted May 23rd. 2020 Copyright ©Jean Fogelberg 2020